The yellow wallpaper autobiography or fiction

Though later gaining recognition as a journalist and social critic rather than an author of fiction, Gilman is best known for this brief and extraordinary piece of writing published in Rest, take tonics, air and exercise.

Photograph by Frances Benjamin Johnston c. Inshe married the artist Charles Walter Stetsonafter initially declining his proposal because a gut feeling told her it was not the right thing for her. Charlotte Perkins Gilman suffered a very serious bout of post-partum depression.

This was an age in which women were seen as "hysterical" and "nervous" beings; thus, when a woman claimed to be seriously ill after giving birth, her claims were sometimes dismissed.

The two divorced in She contacted Houghton Gilman, her first cousinwhom she had not seen in roughly fifteen years, who was a Wall Street attorney. They began spending a significant amount of time together almost immediately and became romantically involved. While she would go on lecture toursHoughton and Charlotte would exchange letters and spend as much time as they could together before she left.

In her diaries, she describes him as being "pleasurable" and it is clear that she was deeply interested in him. Their marriage was nothing like her first one. In both her autobiography and suicide note, she wrote that she "chose chloroform over cancer" and she died quickly and quietly.

After moving to Pasadena, Gilman became active in organizing social reform movements. Throughout that same year,she became inspired enough to write fifteen essays, poems, a novella, and the short story The Yellow Wallpaper. For instance, many textbooks omit the phrase "in marriage" from a very important line in the beginning of story: The story is about a woman who suffers from mental illness after three months of being closeted in a room by her husband for the sake of her health.

This story was inspired by her treatment from her first husband. Silas Weir Mitchelland she sent him a copy of the story. For the twenty weeks the magazine was printed, she was consumed in the satisfying accomplishment of contributing its poems, editorials, and other articles.

This book discussed the role of women in the home, arguing for changes in the practices of child-raising and housekeeping to alleviate pressures from women and potentially allow them to expand their work to the public sphere.

In she wrote one of her most critically acclaimed books, The Home: Its Work and Influence, which expanded upon Women and Economicsproposing that women are oppressed in their home and that the environment in which they live needs to be modified in order to be healthy for their mental states.

In between traveling and writing, her career as a literary figure was secured. By presenting material in her magazine that would "stimulate thought", "arouse hope, courage and impatience", and "express ideas which need a special medium", she aimed to go against the mainstream media which was overly sensational.

Charlotte and Katharine

The magazine had nearly 1, subscribers and featured such serialized works as What Diantha DidThe CruxMoving the Mountainand Herland.

The Forerunner has been cited as being "perhaps the greatest literary accomplishment of her long career". Her autobiography, The Living of Charlotte Perkins Gilman, which she began to write inappeared posthumously in Already susceptible to depression, her symptoms were exacerbated by marriage and motherhood.

A good proportion of her diary entries from the time she gave birth to her daughter until several years later describe the oncoming depression that she was to face."The Yellow Wallpaper" (original title: "The Yellow Wall-paper.

A Story") is a short story by American writer Charlotte Perkins Gilman, first published in January in The New England Magazine.

"The Yellow Wallpaper" is considered to belong to what genre of literature? memoir autobiography semi-autobiography fiction5/5(2). Charlotte Perkins (Stetson) Gilman, The Critics, and The Yellow Wallpaper: Fiction "With a Purpose" vs.

Literary Interpretation of the Subtext--The Need to Know the Rest of the Story (by Jennifer Semple Siegel) II. Fiction "With a Purpose" In her autobiography, Gilman describes why she could not act upon the friend's advice. The Yellow Wallpaper: Though later gaining recognition as a journalist and social critic rather than an author of fiction, Gilman is best known for this brief and extraordinary piece of.

Yellow Wallpaper Fiction Essay. Topics: Charlotte Perkins „The Yellow Wallpaper“: Autobiography or fiction? Regarding the first supporting evidence where this short story is regarded as an important work of feminist literature that illustrates the attitudes of the 19th century towards women, more specifically their mental and physical.

initiativeblog.com Since its publication in , The Yellow Wallpaper, by Charlotte Perkins Gilman, has generated a variety of interpretations. Originally viewed to be a ghost story, it has been regarded as gothic literature, science fiction, a statement on postpartum depression, having Victorian patriarchal attitudes and a journey into the depths of mental illness.