The themes of ceremonies in the wasteland by t s eliot

This is how God addresses Ezekiel, and the use of it in the poem elevates Eliot to a god-like position, and reduces the reader to nothing more than a follower; this could also have been put in as a response to the vast advancements of the time, where science made great leaps of technology, however the spiritual and cultural sectors of the world lay forgotten, according to Eliot.

This Sanatana Dharma has many scriptures: In a brilliant speech, Aurobindo equated the Indian land with Sanatana Dharma or Hindu religion which is but another name for the yearning of the Divine or the quest of the Spirit.

He also said that in India religion and nationalism are one.

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Gallery News for William Kentridge	Eliot relies on literary contrasts to illustrate the specific values of meaningful, effectual rituals of primitive society in contrast to the meaningless, broken, sham rituals of the modern day. These contrasts serve to show how ceremonies can become broken when they are missing vital components, or they are overloaded with too many.
Analysis of The Waste Land by T.S. Eliot	Themes The Damaged Psyche of Humanity Like many modernist writers, Eliot wanted his poetry to express the fragile psychological state of humanity in the twentieth century.
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India rises with religion, lives by it and will perish with it and to rise in religion is to raise India. Aurobindo calls the commercial civilization of the West "monstrous and asuric demonic ". The Upanishads - By Sri Aurobindo vol. India saw from the beginning, - and, even in her ages of reason and her age of increasing ignorance, she never lost hold of the insight, - that life cannot be rightly seen in the sole light, cannot be perfectly lived in the sole power of its externalities.

She was alive to the greatness of material laws and forces; she had a keen eye for the importance of the physical sciences; she knew how to organize the arts of ordinary life.

But she saw that the physical does not get its full sense until it stands in right relation to the supra-physical; she saw that the complexity of the universe could not be explained in the present terms of man or seen by his superficial sight, that there were other powers behind, other powers within man himself of which he is normally unaware, that he is conscious only of a small part of himself, that the invisible always surrounds the visible, the supra-sensible the sensible, even as infinity always surrounds the finite.

She saw too that man has the power of exceeding himself, of becoming himself more entirely and profoundly than he is, - truths which have only recently begun to be seen in Europe and seem even now too great for its common intelligence.

She saw the myriad gods, and beyond God his own ineffable eternity; she saw that there were ranges of life beyond our present life, ranges of mind beyond our present mind and above these she saw the splendors of the spirit.

Then with that calm audacity of her intuition which knew no fear or littleness and shrank from no act whether of spiritual or intellectual, ethical or vital courage, she declared that there was none of these things which man could not attain if he trained his will and knowledge; he could conquer these ranges of mind, become the spirit, become a god, become one with God, become the ineffable Brahman.

Maharshi Aurobindo points out, "Indian religion has always felt that since the minds, the temperaments and the intellectual affinities of men are unlimited in their variety, a perfect liberty of thought and of worship must be allowed to the individual in his approach to the Infinite.

Hindutva is liberal - By A. He wrote this regarding Hindu culture: It is this dominant inclination of India which gives character to all the expressions of her culture.

In fact, they have grown out of her inborn spiritual tendency of which her religion is a natural out flowering.

The Indian mind has always realized that the Supreme is the Infinite and perceived that to the soul in Nature the Infinite must always present itself in an infinite variety of aspects.

Themes, Motifs & Symbols

Sir Sarvepalli Radhakrishnan was one of the most profound philosophers of this century, author and educationalist.

Inhe was deputed by Calcutta University as the university delegate to the Congress of the Universities of the British Empire. He was elected Fellow of the British Academy infirst Indian to be thus honoured. After Independence, when Nehru decided to send Radhakrishnan to the Soviet Union as ambassador, many wondered how a scholar would deal with a dictator like Stalin.

Not only did Radhakrishnan have a successful stint there, he also got along very well with Stalin. Radhakrishnan was also a professor of Eastern Religions at Oxford and later became the second President of free India.

He was widely admired as a master of the English language, a spellbinding orator, a dynamic leader, and a generous human being. He was brought up and educated in colonial India where Christian missionaries proclaimed Christianity to be the only true religion and portrayed Hinduism as being seriously defective.

In his lectures Radhakrishnan answered the many Christian critics of Hinduism by formulating his interpretation of the essence of Hinduism. Hinduism is a way of life rather than a dogmatic creed. Its foundation is spiritual experience.Gallery News for William Kentridge William Kentridge and Shirin Neshat on Portuguese museum show about love.

William Kentridge and Shirin Neshat are two of several artists, including Sophie Calle and Marlene Dumas, featured on the Museu Coleção Berardo’s latest group exhibition, titled Quel Amour!? (11 October – 10 February). Hip hop or hip-hop, is a culture and art movement developed in the Bronx in New York City during the late s.

The origins of the word are often disputed. It is also argued as to whether hip hop started in the South or West Bronx.

Analysis of The Waste Land by T.S. Eliot

While the term hip hop is often used to refer exclusively to hip hop music (also called rap), hip hop is characterized by nine elements, of which only four. Ceremonies are prevalent throughout T.S. Eliot's poem "The Waste Land".

Eliot relies on literary contrasts to illustrate the specific values of meaningful, effectual rituals of primitive society in contrast to the meaningless, broken, sham rituals of the modern day. In The Waste Land, Eliot blended high culture with low culture by juxtaposing lyrics from an opera by Richard Wagner with songs from pubs, American ragtime, and Australian troops.

Eliot splices nursery rhymes with phrases from the Lord’s Prayer in “The Hollow Men,” and “The Love Song of J.

Alfred Prufrock” is, as the title, implies a song, with various lines repeated as refrains. Port Manteaux churns out silly new words when you feed it an idea or two. Enter a word (or two) above and you'll get back a bunch of portmanteaux created by jamming together words that are conceptually related to your inputs..

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T.S. Eliot’s poem describes a mood of deep disillusionment stemming both from the collective experience of the first world war and from Eliot’s personal travails. Born in St. Louis, Eliot had studied at Harvard, the Sorbonne, and Oxford before moving to London, where he completed his doctoral dissertation on the philosopher F.

H. Bradley.